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Sunday, November 29th, 2009
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Now on the way back to New York. It's awfully dark, and I disapprove.
Thanksgiving was quite nice! Ross' mom made a scrumptious turkey, which I've been helping to eat everyday since the holiday, and other Thanksgivingy dishes for me, Ross, his sister, and his grandfather. She kept trying to make this more like the type of Thanksgiving I usually have back home, but I had to explain that the holiday is more like an Italian feast, and I don't like most Thanksgiving food anyway.
The rest of the weekend was fairly relaxing. Unlike what PHD comics and my theatre research teacher advised, I actually took a vacation.
On Friday, we went to Ross' father's house to celebrate Thanksgiving Part II and caught up with him. Afterward, Ross and I went to the opening night of The Fantasticks at Arena Stage. I saw a bunch of people I knew and even the artistic director Molly Smith recognized me! There were lots of people lined up outside of the theatre and carnivalesque things like a woman on stilts directing people and a juggler. I should mention that the setting for this production was Rocky Point, an old and now abandoned amusement park. Eugene Lee designed a beautiful set that included actual remnants of the park (You may know him for designing the sets for the original Sweeney Todd and Wicked.) The other major component to this production was its use of magic. During intermission and after the show, I saw more Arena folk including my former boss, the literary manager, and the new play development fellows, and most of us headed over to the after-party at a nearby lounge. Free food and open bar? Heck yes. I had a blast, despite the crowdedness, and got to reconnect (and re-network) with a lot of friends.
Ross' grandmother is recovering from knee surgery so we visited her on Saturday, which was the compelling reason for coming down to Arlington for the weekend. She seems to be doing well, aside from having to be stationed with other old people who are getting on her nerves.
After the visit, Ross, his mother, and I went out for Ethiopian food for dinner, and they went to see a movie, while I went to Woolly Mammoth to see Chuck Mee's Full Circle. (Mee wrote Big Love, which you may remember was done at Amherst in the fall of 2005.) A very, very odd play based on the idea (and plays about) the chalk circle that had the audience sitting down, standing up, and moving around the entire theatre, following this narrative of the fall of the Berlin wall, the artistic director of the Berliner Ensemble (played by the artistic director of Woolly Mammoth--my favorite part), and the baby of the former Secretary General and the three women who argue over which of them is the real mother. I spotted Mee during intermission because he seemed like a man who understood what was going on in the production, but I was too nervous to approach him. He'll be coming to my program's graduate theatre conference since we're giving him our annual award.
So, a family and theatre-filled holiday weekend. Back to my readings and papers.
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Wednesday, November 25th, 2009
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On the Bolt bus headed toward D.C.
I finally listened to what Ross was telling me about Spider-Man: Rock Reflections of a Superhero, a 1970s concept album about Spidey, and it sounds awesome. In addition, the back cover features other superheroes playing music. I hear that Captain America is in charge of the tambourine. I need to get it. You know, for research purposes. The Dr. Horrible comic, on the other hand, was not so impressive.
Last night, Ross and I saw the new musical at Roundabout called Ordinary Days about four New Yorkers trying to see the big picture, which was pretty good, but kind of pretentious, predictable, and derivative (not to say that these qualities were necessarily bad--second-rate Sondheim/William Finn/Jason Robert Brown is remarkable). That last song though really hit hard in a surprising way...and I don't want to spoil it. Anyway, Hunter Foster stars, and two people in the creative team cited Almost in their bios, which made me happy.
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Monday, November 23rd, 2009
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This weekend was pretty awesome thanks to friends and Bob Holiday's amazing book Superman on Broadway. On Friday, I went to the Performing Arts Library because I had to read and listen to Bring in 'da Noise/Bring in 'da Funk for class, and I figured why not watch it? So I watched a film of the production when it opened at the Public and then moved back to Superman musical research. After grabbing dinner and coffee, I met up with Sissi, a friend from my theatre "cohort" as we say at CUNY, and we saw the Gershwins' 1930 musical Girl Crazy at City Center. This is the show that made Ethel Merman a star with the brassy number "I Got Rhythm."
On Saturday, I had sushi with incredible Amherst peoples before we headed downtown to the High Line with Inessa and Shaw's sister.
Since then, I've been procrastinating on my Toxie musical paper. I forced myself to watch The Toxic Avenger movie the other day and hated it. Oh graphic b-horror flick, why can't you be a campy musical?
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Sunday, November 15th, 2009
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Musical theatre rewind:
After work on Wednesday, a couple of my classmates and I went out for Thai food and the Broadway revival of Finian's Rainbow because we had to read it for our upcoming class on the post-war musical. I'm liking the musical more and more, but some of the overt social criticism made me uncomfortable and some numbers/elements were just plain silly. Still, the up-tempo romantic show tunes, Finian, and Og the Leprechaun were fantastic. (I should mention, briefly, that the show is about Finian and his daughter Sharon who travel from Ireland to Missitucky, USA where Finian hopes to grow gold from a crock he stole from Og who is progressively becoming mortal and Sharon falls in love with Woody, the head honcho whom everyone adores. Also, there's a racist white senator who magically gets turned black and then back to white in a mixed community of tobacco sharecroppers.)
My class on Thursday went pretty well, and I enjoyed making people talk about Dr. Horrible, though some of the discussion veered off into issues that didn't particularly interest me.
And on Friday, I returned to the Performing Arts Library to watch The Scarlet Pimpernel v. 2.0, which had a much improved, streamlined, superhero narrative...and yet it just didn't feel as good as the original with its hilarity and original three leads. I've been having fun surfing youtube for video footage of the productions to compare stagings and marketing. Yes, this is my life.
I kind of want to see Richard Foreman's Idiot Savant at the Public Theater because Foreman is a key part of the American avant-garde canon (not of the grilled apparatus canon) but mostly because Willem Defore stars, and I was reminded of his awesomeness when re-watching Spider-Man.
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Monday, November 9th, 2009
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Back to reading camp scholarship after a weekend with Michelle who came down for a visit. We watched Dr. Horrible (which was research), walked around Manhattan, got Korean food, and saw Sarah Ruhl's In the Next Room (or the vibrator play). I'm convinced that Ruhl usually writes a Eurydice-like character in each of her plays, and this production was probably her most "mainstream" because it was her Broadway debut. But I very much enjoyed it, especially the beautiful ending.
Before that, I went to the Performing Arts library to watch the first version of The Scarlet Pimpernel, which was hilarious! How could it have flopped? (Okay, it has issues, but the superhero is absolutely charming, and the villain sounded like Professor Snape).
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Tuesday, November 3rd, 2009
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The New York Public Library for the Performing Arts is friggin' amazing. I just scheduled three appointments to see two video recordings of The Scarlet Pimpernel (fascinating production history; the only show to close and re-open revised on Broadway...twice) and one of It's a Bird... It's a Plane... It's Superman at the Goodspeed Opera House. Yesterday, I read the latter's script at the library because it was part of Hal Prince's personal papers, which he donated, and it was absolutely hilarious. If you're interested, I can go into more detail about the plot that involves a scientist who was snubbed by the Nobel committee ten times and decides to take his vengeance by destroying Superman through Freudian psychoanalysis and with the help of the Flying Lings, a group of Chinese acrobats who resent Superman because no one wants to pay for their shows when they can see Superman fly for free.
After reading this prized final playing typescript (it was like reading Mary Wroth's poetry right before me at the Folger), I went to the library's panel on musical directors and dance arrangers, which amounted to a lot of old people complaining about Broadway (and rightfully so) and a lot of learning on my part.
Then I had a couple of friends from my graduate program over for dinner, and I played hostess with Ross' help.
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Sunday, November 1st, 2009
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Relaxing all day Friday was awesome. Ross and I went out to see a staged reading of a new play called Agnes Under the Big Top at the Lark Play Development Center (thank you, Free Night of Theater) mostly because I'm interested in seeing the NEA-Arena-supported works. And I may have to write about them if my conference proposal to the Middle America Theatre Conference gets accepted. Work and (Lark) play.
On Saturday, we went to Janani's party and saw lots of Amherst peoples. Ross shaved and brought his Ross puppet so that he looked like a giant clone. I put on a red dress and my new red hat with giant eyes in order to be Blinky the ghost from Pac-Man. I wanted to walk in right angles all night, but it didn't work out.
And today was Italian family day. I visited my cousins who have a new baby girl named Ella, and I saw my parents, lots of other cousins, second cousins, and my aunt and uncle.
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Friday, October 30th, 2009
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Done with a crazy week. As I mentioned before, I had three papers on top of regular homework due between Sunday and Thursday, but because I'm a planner, I had basically written two of the papers earlier. Thank goodness. Even so, I had to stay up until the wee hours to finish (I've never pulled an all-nighter before, which I realize must be hard to believe). Then in both of my classes yesterday, my professors spent time lecturing us about promptness in turning in papers and how you can't do revisions for a better grade, etc. etc. etc. and one professor went into great detail about distinctions between grades and what they mean. I should mention that, in my program, the only grades are A, A-, B+, B, B-, and F. If you get a couple of B grades, then you are doing unsatisfactory work and could be booted from the program. Talk about pressure.
I did go out for a little fun on Tuesday night (which contributed to having to stay up until 4:30am cutting and footnoting) when I went out for dinner with my mom and took her to see Carrie Fisher's Broadway show Wishful Drinking as her birthday present. In short, it was high-budget stand-up comedy.
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Friday, October 23rd, 2009
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Weekly recap! On Saturday, Ross and I went over to Kevin's for dinner, which was especially exciting because Elly was also there. We talked, sipped on wine, and played two games of spades. Kevin and I won one glorious time and then lost, also gloriously, by accumulating more than (less than?) -300 points. Go Team Awesome.
I think I spent all day Sunday and most of Monday writing my trajectories of scholarship paper, which I have titled "'I Have a PhD in Horribleness': The Rise in Scholarship on Superheroes, Musicals, and Dr. Horrible's Sing-Along Blog." It still needs to go through editing, as does another paper on The Provenance of Beauty. And I have a third paper on kunqu drama (a once-popular form of Chinese opera) due next week for which I still need to do tremendous amounts of reading.
But I decided to indulge myself a bit Monday night, and I went to one of the New York Public Performing Arts Library's panels on Broadway orchestration. Mostly, I just wanted to see Hal "Prince of Broadway" Prince and hear what sort of crotchety things he had to say about orchestrations and the musical theatre of today. I also got to hear from John Kander (composer for Cabaret, Chicago), Sheldon Harnick (lyricist for Fiddler on the Roof, The Apple Tree), Jonathan Tunick (orchestrator FOR EVERYTHING), and other orchestrators. It was absolutely fascinating because I didn't know exactly what the orchestrator did, and he seems so crucial to the process of executing the score, especially when dealing with composers who have little to no musical training (like Irving Berlin who couldn't exactly read or write music and basically forced his orchestrators to string together series of notes until they sounded "right" to him). If you're interested, the video of the event is on the NYPL's website, and there will be two more panels in November. Also, the event was packed, full of lots of old and young musical fans as well as people in the business...and privileged NYU musical theatre writing students who got reserved seats. I grumble only because the rest of us had to wait in line, and some people didn't even get in.
But moving along! Last night, I saw The Emperor Jones at the Irish Rep, and the show was a lot better than I had anticipated (and far superior to reading the text). It got me thinking about how, unfortunately, there are so few good, juicy leading roles for minorities unless you go color and gender-blind with casting.
Yesterday, I also helped to organize and then attended the professionalization event on the graduate program's language requirement. Well, I've got Italian, and now I'm deciding between learning French or Chinese for my second language. The former would probably be more practical (more scholarship in theatre and theory, close to Italian, and maybe I'm interested in French drama?) and easier to learn, but Chinese would allow me to conduct serious study into Chinese theatre (which is kind of a "hot" subject right now) and it would be personally edifying and gratifying as a Chinese person. Advice?
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Saturday, October 17th, 2009
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Amanda brought up the champagne list when we were outside the theatre for A Steady Rain because both Hugh Jackman and Daniel Craig are on hers. Oh, Hugh. While I'm on the subject of the production, the men gave--overall--mesmerizing performances so unlike how the public "we" conceptualize them, but there was a key moment at the end that fell a little flat for me. The play itself isn't great (a drama about two Chicago cops) but isn't terrible either. The leading men kind of distract you from realizing this point. On my way out, I passed by God of Carnage next door and saw Jeff Daniels. I never realized that he had star quality until I got close to him.
Today, I read about German cabaret, baked a cake, and had dinner with my parents.
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Monday, October 12th, 2009
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Robert Lepage's Lipsync was incredible. I'm glad that I experienced this 8.5-hour visual extravaganza and exploration in speech through nine interwoven characters in nine acts (And thank goodness this avant-garde director decided to "experiment" with text for a change. I love me a good narrative that I can follow).
I didn't see any other theatre since last Saturday, but on Friday, Ross and I went out for Ethiopian food and the Toy Story double feature, which was absolutely delightful. I definitely laughed more than anyone else in the movie theatre because I had never caught some of the interstitial jokes in Toy Story and never seen Toy Story 2 before. I could do without Jessie though, and my favorite character is still Hamm. What a fantastic, under-appreciated set of films.
On Saturday, I had Amanda and Steven over for brunch, which went quite well. Ross and I still have half a Juniors cheesecake left thanks to Steven.
Whenever I'm not reading about musicals or superheroes, I'm playing Carcassonne or Puerto Rico with Ross. I'm not sure if I mentioned this, but we celebrated our 2-year anniversary last week and happened to get each other games as gifts. Meant to be! ...except when he completely monopolizes the ships and builds the office, ending any chance I have for winning. Consarn him!
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Tuesday, October 6th, 2009
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I keep forgetting to mention that Law and Order: SVU is shooting at my building today! The production team has transformed the lobby, making it look like an old, cheap hotel. Coolness. But, I'm a little afraid to go downstairs and possibly see a fake dead corpse. Maybe Christopher Meloni will make up for this?
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Monday, September 28th, 2009
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My weekend was of the stay-at-home-being-productive variety. I'm so lucky that I get to read about fun material like Andrew Lloyd Webber's luncheons during which a guy from PBS casually mentions that the program that earns the most at pledge time is not Webber's show but a Stephen Sondheim concert--and an awkward silence ensues at the mention of Webber's arch nemesis; meanwhile, Ross has to read about tort law. And no, it's not cake law.
We did go out yesterday for dinner with my parents and the Broadway Cares/Equity Fights AIDS flea market, which I've been wanting to attend for years, but I had always been up at Amherst. Because of the rain, the market was held indoors at the Roseland Ballroom, and it was overwhelming as we swam through a sea of Broadway fans and merchandise. Almost every table featured old playbills, and some were pretty interesting because of what was inside them (mostly hilarious advertisements for whiskey and cigarettes, which you would not see today). Some of the big shows such as Wicked and Billy Elliot also had stands. The former was selling character shoes worn by the cast! Very cool but very expensive. We missed the celebrity booth that featured about 100 Broadway actors that came in and out earlier in the day to sign autographs and allow photo ops in exchange for donations. I'll get you next time, John Stamos. BUT I did not miss the featured writer from the Dramatist Guild huddled in the back of the ballroom...
Ross: Dona, it's Edward Albee. Me (whipping around): WHERE?! Ross: Right in front of you. Me (seeing little, old man sitting at the table): Oh!
I then stood by casually and looked at playbills, while hearing him express his crotchetiness. Albee truly changed my world when I saw Who's Afraid of Virginia Woolf?, but I was too nervous to speak with him. He's not a big fan of dramaturgs from what I've heard.
Since a lot of the booths were wrapping up, they started to offer bag-for-a-buck deals. So...Ross and I paid a dollar and filled up a large plastic bag with lots of random stuff including issues of Theatre Arts from the 1950s, old playbills, Broadway sample cds, books, and greeting cards. We also got this sweet set of cocktail glasses featuring the playbills from the 1999-2000 season, precisely the season I'm studying right now, for another dollar plus a free Playbill.com (my favorite website) tote bag. I have to go back next year.
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Friday, September 25th, 2009
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Going to classes, professionalization events, parties, and shows: the
life of a theatre grad student.
Last weekend, Ross and I checked out David Mamet's new plays, School
and Keep Your Pantheon (get it? get it?! hilarious.) at the Atlantic
Theatre Company. The former was essentially a Monty Python skit in Mamet's
masculine, fast-talking style about recycling and, in a larger sense, what
do we know and how do we know it. The latter was a Roman farce that I
enjoyed very much. Worth exactly the $20 ticket as part of the recent
20-for-20 Off-Broadway promotion.
I woke up on Sunday with a ridiculously stiff neck, debilitating me for
about an hour at which point I was able to sit up but still in extreme pain.
Nevertheless, I decided to go to my aunt Phyllis' house to celebrate her
birthday and dad's with the Italian family. Hey, it was worth it for my
cousin Stephanie's cream puffs. I got a lot of unwanted attention and some
helpful treatments. I'm still recovering.
At the suggestion of one of my professors when I proposed studying superhero
musicals, I went to see The Toxic Avenger musical Off-Broadway with
my amica Amanda. I thought that it was highly successful, but my heart still
lies with Dr. Horrible. Did you guys see him when he interrupted the Emmy
broadcast? http://www.youtube.com/watch?v=MgJxGKBad3M
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Wednesday, September 16th, 2009
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What a weekend!
I was worried that Victoria and I would be stuck indoors because of the massive amounts of rain that have been hitting San Antonio lately, but we got quite lucky with the weather whenever we actually went out. I admit, though, it was pretty adorable seeing her dog Hershey run out into the pouring rain because a lady was getting her mail and he had to chase her off...and he subsequently flowed down the river that was created in the street for a few feet. Hehe.
Anyway, after she picked me up at the airport on Friday, we hung out for a bit at her house with her mom, Evita. Then we drove to downtown San Antonio to see the local sites (I completely forgot that the Alamo was there in the middle of it all until we saw and encircled it...dumb of me, I know), including the riverwalk, which was quaint, like the Texan version of Venice. Oh! And that day, we got delicious TexMex and ribs, both in large portions. "Everything is bigger in Texas!" I exclaimed. Later that night, we watched 27 Dresses. Don't judge.
On Saturday, we awoke to another gloomy day, but we decided to go to Six Flags Fiesta Texas. Because of the on-and-off rain, very few people were there so we got to ride on everything. Twice. And we rarely had to wait in a line. It was completely awesome. Well, except for those moments before the first roller-coaster when I get irrationally scared... Oh, and that time when it was raining and we still went on The Rattler, a wooden roller-coaster that goes fast and, well, rattles you. "The rain is hurting my face! It's hurting my face!" -Victoria "I know! I can't open my eyes!" -Me "::raising her hands to her face and accidentally hitting me:: Sorry Dona!" -Victoria. Good times. After our day at the park, we met up with Brendan and Tiff at Bigz, a burger joint. So good to be with Amherst people. That evening, Victoria and I watched The Queen, which was fascinating.
Finally, for my last full day, we went to SeaWorld, which was a safer option than Schlitterbahn (because again of the weather). I had never gone there before so I didn't know what to expect exactly. We saw lots of animals and a couple of shows (one ridiculously corny, one was hilarious, and one made me feel like a tool). I'll put up pictures later. You'll see how terrified I was of feeding the dolphins. Also, I had no idea that SeaWorld also has rides, and we rode those a couple of times too. At the end of the day, we came back to a fine, home-cooked meal.
Oh, Texas. I had a blast, and I wish I could have stayed a day or two longer to check out nearby cities like Austin. Another time, I guess.
And now I'm back to work.
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Thursday, September 10th, 2009
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I just printed out my boarding pass to San Antonio! I'm excited to be down there, but I'm not so excited about waking up at 5:30 in the morning to do so.
Ross and I have been entertaining guests for the past four days. Sandy came over for dinner on Monday; we had some amusing talks, good steaks, and scrumptious chocolate cake. Kevin has been staying with us since Tuesday because he has no housing in New York City.
Also, I've just posted pictures of the apartment: http://www.facebook.com/album.php?aid=2033819&id=4002666&l=e0dfd9494d
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Wednesday, September 9th, 2009
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I'm so happy about my Studies in the Current Season class. I love talking about New York theater, most of which I've gleaned from religiously reading playbill.com for years and interning at a theater ticketing agency, and I don't often get the chance to gush with people who know what's going on in the season. Tomorrow night, we're going to see Irish playwright Lennox Robinson's Is Life Worth Living?, which is supposed to be a comedy despite the heavy title. Then we'll see the Living Theater's Lizzie Borden rock musical (yes, it's a rock musical about the infamous ax murderess) and Sarah Ruhl's In the Next Room (The Vibrator Play). We still have to decide on the last two shows.
On my own, I saw two other shows in the past week. On Saturday, I met up with Anthony to check out another Ethiopian restaurant (this one was down in the village) and Our Town at the Barrow Street Theater. The production received a lot of buzz, so I figured it was time I finally experienced this American classic. The seating was intimate. The staging was minimal. The story was strong. The stage manager was spectacular. I think I liked it. I qualify my enthusiasm because there were a lot of odd, distancing yet engaging directorial choices. And the third act seemingly comes out of a whole other play. Still, I recommend the show.
On Monday, I went to see The Provenance of Beauty: A South Bronx Travelogue, which received the NEA Distinguished New Play award through Arena this past year so I got a comp ticket from Ronee, one of the Arena new play producing fellows who did an externship at the Foundry (the production company). The experience, part tour, part theater, was incredibly innovative and quite interesting. I got off the bus feeling pretty badly about the treatment of the Bronx. Did I mention that this play takes place on a bus that travels through the South Bronx while you listen to pre-recorded and live material on a headset?
For the rest of the weekend, I worked mostly on my big assignment for Theatre Research: creating a theatre history syllabus for a class of undergrads and writing a justification of my approach and text selections. I went with modern drama. Thank you, Michael Birtwistle. We'll see what my professor thinks of my syllabus tomorrow.
Ross and I also attending my second cousin John's birthday party. There were so many kids, and they were very entertaining to watch. Plus, the party itself was a lot of fun because my cousin Stephanie made it carnival themed, complete with kids' games, a hot dog cart, snow cones, a popcorn machine, a cake shaped like a tent, and all other sorts of treats. And, it was good to see my Italian relatives once again.
I got the go-ahead on my final paper that will serve two of my classes. I plan on examining the history of superhero musicals and focus on how two extremely popular American forms -- musical theatre and superhero comics -- combine sometimes in great success and sometimes in great failure. This is all with Spiderman: Turn off the Dark on my mind. $40 million? Really? Julie Taymor + Bono? A villain not from the comic books? How is this going to work?
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Thursday, September 3rd, 2009
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Last night, I started reading my theory-filled homework for Theatre and Popular Culture, and it was extremely slow-going. How do you sociologists do it?
Arena just announced an exciting addition to their season: Striking 12. The musical is part concert, part play about the holidays and Hans Christians Andersen's "The Little Match Girl." I'm pretty excited for it, and I wish I had had a chance to read/hear it before I left, especially because Arena has secured the creators to perform the piece--GrooveLily, who I know from Long Story Short. Audrey shared the cast recording with me, and I adore this musical about the romance between an Asian American and a Jew, which is getting a new production at South Coast Rep this fall.
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Wednesday, September 2nd, 2009
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Lots to report on!
Kevin, a.k.a. Elly's boyfriend, stayed over with us last night because he's seeing an apartment today. He brought over dessert wine (my first!) in an adorable glass bottle shaped like a bunch of grapes. I'll be keeping that as a pitcher or vase.
Yesterday, I also had my first class, Theatre and Popular Culture, which turned out to be a lot less terrifying than I imagined. I'm excited about all of the readings and viewings that cover a wide range but focus on minstrelsy, and I think that this may be the most interesting class (to me) that I've ever taken. The final paper is wide open, and there's so much I want to address. This may be my chance to write about Dr. Horrible's Sing-a-long-blog.
On Sunday, Ross and I went to the much-acclaimed Empanada Mama for a quick dinner before In the Heights, to which Ross got discounted tickets from Columbia. So, I'll be honest. I didn't think much of this show when it first came out. I even had the opportunity to see it for free through Hit Show Club when it was off-Broadway, but I didn't take up the offer. When I watched the Tony performance, I was stunned. It looked incredibly well done. But again, I wasn't personally interested. Still, I wanted to see the musical because it won the Tony, because I've heard nothing but good things about it, and because Forrest's half-sister wrote the book (which got a Pulitzer nomination). And now, I'm a little obsessed with the show. I think I can say that it's the best new musical since The Drowsy Chaperone. (I know people may argue for Spring Awakening, Grey Gardens, Passing Strange, Billy Elliot, or Next to Normal.) In the Heights is wonderful storytelling through music and dance and celebrates the predominantly Hispanic culture here. It's funny. It's heart-warming. It's heart-breaking. It made me so happy that I live here. If only people would burst into synchronized song and dance on the streets. The show begins its national tour this fall. I strongly recommend it.
Aaaand scene.
The night before, Ross and I had dinner at my parents' place and then saw Julie and Julia. So delightful! I haven't had any kitchen meltdowns yet, but I can get rather cranky... Ahem. I adored Amy Adams and Meryl Streep.
Oh! Another recent obsession of mine: Munchkin. Ever since I discovered that Ross had it and never played before, I've been making him play against me. And he keeps destroying me. And Jessie. And Kevin. Oh well. I first played the game my second night at Amherst with the Sci-Fi club. I think that's where I met Dylan...
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Saturday, August 29th, 2009
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Ross and I made scrumptious waffles, omelettes, and bacon for breakfast this morning. That, plus doing laundry and putting together the bed, makes me feel like an adult. Eep.
The theatre (sorry, it's technically spelled that way) program orientation and party yesterday went surprisingly well. I met a lot of people who seemed friendly, interesting, and highly intellectual. Sometimes, I feel a little dumb yet unpretentious when I have to declare my chief interests in very mainstream areas -- English Renaissance drama, contemporary American and British drama, and musical theater -- compared to seemingly everyone else who has these specific, esoteric, edgy interests -- theater and violence, ritual, performativity, queer studies, etc. I'm sure my interests will broaden as I learn more. In fact, I need to have a firm grasp of theater history and theory across the world for my first exam, which will probably be two years from now. That seems far away, but the faculty keeps insisting that I need to plan out my future well in advance, which is something I often do because I'm crazy, though this time it's stressing me out more than it should. I thought the make-up of students was interesting -- mid-twenties to early forties and white, except for the three or so women from Asian nations. I wonder if anyone has studied this before. And I definitely confirmed that I'm the youngest person in the program. I've been assured that I should not worry about this until I start teaching next year and discover that many of my students are older than I am.
I think I'm going to like the Graduate Center.
On Wednesday, I met up with Sera, Avi (her boyfriend), and Guilietta (our family friend) for lunch at Max Brenner's. I had never before gotten real food there, but of course I had to complement my meal with a dark chocolate truffle drink. Then we hit a couple of stores, and I got pretty throw pillows for the couch. I will likely put up pictures of the apartment soon.
Later that day, I went out for yummy sushi with Amanda and Steven, close friends from middle school, and even Ross joined us.
Aside from meeting up with friends and doing homemakery tasks, I've been reading for classes and pleasure. A few months ago, Inessa and Dan encouraged me to get a book of musicals from the Strand, so now I'm finally reading those libretti. I've taken on Lady in the Dark, Camelot, Fiorello!, and now I'm on Man of La Mancha.
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Comments: Read 2 or Add Your Own.
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